Saturday, August 29, 2015

Solitude


(February 4, 1993)  "Solitude" was written at one sitting during a break between lessons, and first performed by Beth Cleaveland, in the spring recital of that year. Now she is Beth Cleaveland Smith, married and raising a family, and probably wishes she HAD more "solitude"! 


This is also one of the few pieces that I have written that included student "input". During an early lesson, Beth over-reached a broken chord and played a C natural where she should have played a B. I liked the sound of the passage and changed it.

This piece has always been a favorite in my studio (until "Arietta" in 2005 it was my most-frequently-studied piece), and has been played by pianists of all ages. I have used it as a church offertory, and played it at weddings as well. It is a simple melody with just enough supporting broken chords to keep that melody front and center, with a few surprising harmonic turns along the way.



Morning Sunrise (Soleil du Matin)


(May 26, 2013)   This piece has a checkered past.  It was originally part of a longer, discarded piece. I decided to take it out of that context (a lyrical B section to an inferior more rhythmic A section) and add a coda.  This was completed on what would have been my mother's 83rd birthday and is dedicated to her memory.  That following Sunday, I played it as an offering at Franklin (Georgia) United Methodist Church.

I like this piece very much, but don't play it as often as I should.  It's a little more difficult than a casual glance would suggest, and I am guessing that it would appeal more to an adult or advanced student.






Friday, August 21, 2015

Lazy Afternoon



(May 12. 2014) This piece became an immediate "hit" with my Facebook friends when I posted a "scratch video" after writing it.  It is, for all practical purposes, a figuration-driven piece, perhaps a mini-etude.  In my studio, it has been a favorite of students of all ages, and it is dedicated to an adult student of mine, Dale Allen.

Here is a video of the "premiere performance", made in a studio recital at First Baptist Church on the Square in LaGrange, Georgia:






And here is a link to her piano studio page.

Chrisanne is also a composer, and you can find her music at Sheet Music Plus.

You can also find Chrisanne's music right there with mine at Piano Pronto.


Thursday, August 20, 2015

Seaside


(March 18, 1996) This originated as a sketch for flute and piano, and has been played in that form. Tiffany Oliver Cole gave the first performance in a piano competition at Gordon College in Georgia. (The judges disqualified her; they didn't think the piece was classical, but she returned the next year and WON.  You can read our common story here.) Her first public performance of "Seaside" was as her farewell performance as Miss Troup Teen 1995.

It is a favorite of mine - a little more difficult than most of my output, and possibly unique in my output.  To this date I haven't written anything else in a similar style.


Here it is performed by my friend Andrys Basten.  The pictures used were taken on a trip to Pawley's Island, South Carolina, in August of 2014 with my friend Van Martin.




Sunday, August 16, 2015

THROWBACK THURSDAY: The Happy Homework Hum

My first composition.  1971.  I was eleven years old.  I played it in a recital in the spring of 1971, along with "Our School Band" by David Carr Glover.  It is unpublished.

Not sure of the year, but I'm pretty sure this is close to the time this piece was written.


Friday, August 14, 2015

Tiny Lullaby


(May 11, 2015) This little miniature has become one of my favorite pieces.  I hope to include it in some sort of suite or collection. I have used it in church as a short offertory, It is dedicated to my student Jasmine Murray. I also suspect Jasmine won't be the only one to ask to play it.




This piece is now available at Piano Pronto through their Composers Community site!  I am happy to be included with this group, and encourage you to check out all of the offerings there - by publisher Jennifer Eklund and the rest of the Piano Pronto Composers Community.



Thursday, August 13, 2015

Crepuscule (Twilight) Transcription from Jules Massenet


(September 8, 2012) This is a transcription I made of the simple and beautiful song "Crepuscule" (Twilight) by the French composer Jules Massenet (1842-1912). This is a homage to one of my favorite sopranos of the early twentieth century, Amelita Galli-Curci (1882-1963) and to one of my favorite living pianists, Stephen Hough (who has also made a transcription of this song.)

Galli-Curci's recording was one of the first recordings of her voice that I heard and owned, and my 78 rpm copy (pictured below, with a link to a video) is still a favorite in my collection,  Back in my college days, I often listened to this, and other historic opera and piano recordings, with my classmate Susan Flick.  This transcription is dedicated to her, and this blog was originally posted on her birthday.  Happy Birthday, Susan!





From my collection, Victor 64807, matrix B-21972, recorded June 10, 1918.